Hi everyone!!~ Thank you, this helps a lot. Their opponent were the team that I happen to watch their drama that time, Tokyo DOGS. Thank you a lot for helping the anony! ^_^ This ep has Ikuta Toma on the guest team.įor some of the more recent ep’s with with Toma and Shun you need to be members of livejournal subbing communities to gain access. This ep has Shun Oguri on Arashi’s Team. This ep has Shun Oguri leading the guest team. VS Arashi 129 2011.01.03 New Year SP Guest team: Hexagon Team and Control Team VS Arashi 130 2011.01.20 Plus One. It’s always a pleasure talking with fellow Shun & Jun fans )) I’m sorry tho, I can’t be of much help this time =/ Maybe some of you guys can help the anony? Do you have any recommendations for me? Thanks a lot! especially for episodes starring Shun Oguri or Toma Ikuta. I am trying to watch episodes of VS Arashi, but it is so hard to find they anywhere with english sub. Anonymous asked: Hey!! I am a big fan of Shun Oguri and Matsumoto Jun (love Hanadan and Ouroboros so much).
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And the guitar on the right features an entirely new design with a new head shape.Īlthough not built to the same specifications as their American counterparts - many of which sported bolt-on necks, inferior electronics, and multi-piece plywood tops - the Japanese instruments were utilitarian, had personality, and were faithful to the original designs. The center image boldly displays the Ibanez brand on the head. The left image features a non-branded headstock. While Gibson and Fender guitars declined in quality, Japanese copies were, at least visually, markedly on par with the American originals. Ibanez achieved US success when it began manufacturing copies of classic Fender, Gibson, and Rickenbacker guitars in the late ’60s. In 1971, Hoshino became profitable enough to purchase Elger Guitars from Rosenbloom and officially changed their name to Ibanez, USA. Rosenbloom, sensitive to the domestic hostility towards Japanese products still prevalent in the late ’60s, used this as the brand name for his imported guitars. Hoshino began importing classical guitars from a small, Spanish guitar maker named Salvador Ibáñez in the ’20s to sell in Japan, and went onto launch their own brand under the name Ibanez, inspired by the imported guitars in 1935. Sensing the domestic guitar market’s downturn, however, Rosenbloom’s company, Elger Guitars, became the sole North American distributor for Japanese guitar manufacturers, Hoshino Gakki Gen. Harry Rosenbloom, owner of Medley Music in Bryn Mawr, Pennsylvania, made his living selling handmade instruments. The careful attention to detail, superior parts, and meticulous craftsmanship diminished, while price tags remained high. While heavy riffs and searing solos dominated the airwaves, the quality manufacturing of the classic instruments synonymous with the culture - guitars like Gibson’s Les Paul and SG, Fender’s Stratocaster and Telecaster - was beginning to decline significantly from a production standpoint. Guitars and guitar-based rock ‘n’ roll music had reached a level of popularity that would last well into the early 2000s. (* If you happen to be plugged into an ungrounded amplifier and touch metal.) Gear hunters and enthusiasts around the world all claim to have seen them, but the true story may shock you.* Welcome to 6String Minutes. In this segment, we’ll uncover the truth about Japanese “lawsuit” guitars imported to the United States from the mid-1970s on. Trumpeter Hino already released some hard bop albums,but this work became to him the transition to more complex modal jazz.įour Kikuchi originals sound exactly as if they are recorded under fresh impression of Miles band with Hancock,or better to say - close to Hancock's own albums, recorded in late 60s (before Mwandishi). In mid 90's the band will be reunited for live gig with Greg Osby on sax and different rhythm section, in 2007 Hino and Kikuchi will release two more collaborative albums as co-leaders, but generally speaking "Hino=Kikuchi Quintet" will always mean this only released recording in such important for development of jazz year of 1968.īoth Terumasa Hino and Masabumi Kikuchi were Miles-influenced musicians introducing Japanese listeners to his kind of jazz. Current all-Japanese line up recorded and released only one album ("Hino=Kikuchi Quintet" is stated on cover as a confirmation of co-leading). Hino-Kikuchi Quintet was a short-lived project founded by two future leading artists of Japanese jazz pianist Masabumi Kikuchi and trumpeter Terumasa Hino. Bean and Gary Kramer started the Travis Bean guitar company in 1974, in Sun Valley, and while their guitars did well, Bean lost interest and left most of the business aspects to Kramer and so the two parted ways. There are even some guitars out there with two different date stamps, where its possible that older guitar backs were used for new guitars years later.There is some dispute over the company's early history but it begins with Travis Bean, a California luthier who was building guitars with aluminum necks. When similar models were on the assembly line waiting to be routed, they looked identical and could receive an incorrect stamp. Warning Serial numbers were occasionally misprinted on Harmony guitars. This gives you an approximate estimation of the guitars production year. Pickups DeArmond pickups can be useful in determining a guitars year of production. There are different opinions on this, with some believing that S stands for spring and F for fall, and others adamant that they represent first and second half of the year. The other small stamp indicates the date of production and will give the year preceded by either an S or F. The numbers before the H refer to the batch and do not follow any helpful numbering system. The large stamp is the serial number, and the number after the H is the model. If this is difficult to read, try using a mirror to see the stamps that were also placed on the underside of the guitars top. Stamps If you look through the f-hole or sound hole of a Harmony guitar, you will see two stamps. The Archtop guitars were made from either mahogany or spruce, depending on the model, and featured either an f-hole or round sound-hole design.įlattop guitars consisted of Folk models that had ladder bracing and sometimes steel-reinforced necks, and Classic models that included the Sovereign, with its triangular-shaped pick guard. Harmony made Archtop (named because of its convex body design) and Flattop styles. Harmony Guitar Company was revived in 2008 when Charlie Subecz launched a series of 1950s and 1960s reissues. Sales grew through to the late 1960s, when the growth of imported instruments forced Harmony into debt and eventually liquidation. In 1915, Harmony became the first large-scale ukulele manufacturer.īy the following year, Sears and Roebuck bought the company to utilize this massive production. Starting modestly with a sale of two guitars to the Chicago Music Company, Schultzs company grew quickly. 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